It was just a summer day trip to the Berkshires that Joe Manning
and his wife were planning to take from their home in Torrington, Connecticut. A longtime caseworker, and an aspiring songwriter
and poet, Joe had seen an article in his hometown newspaper about plans to install a contemporary art museum in a large complex
of abandoned factory buildings in North Adams, Massachusetts, a city he had never visited. The developing project, called
the Massachusetts Museum of Contemporary Art (Mass MoCA), was holding a fundraising event highlighted by an exhibition of
photographs by rock musician David Byrne, formerly of The Talking Heads.
That two-hour drive up rural Route 8 on July 21, 1996, led Manning
to what he would later call, "my spiritual home," a fading mill town with an uncertain future that ultimately inspired a new
career for him as a writer, poet, oral historian, photographer, artist and community activist.
Haunted by the strange beauty of this city tucked in the soft
mountains near the southern Vermont border, Manning decided to return alone to gather information for poems he wanted to write.
The brick factories, the Romanesque facades on Main Street, and the Victorian houses in the hills circling the city reminded
him of his favorite American painter, Edward Hopper.
On August 14, he left for North Adams before dawn and arrived
just in time to observe groups of old-timers chatting nostalgically about the good old days, as they sipped coffee at the
Appalachian Bean Café. Called the "Bean" by the locals, the popular hangout had opened two months earlier in a space once
occupied by one of the city’s most popular department stores.
With a camera and notepad in hand, Manning roamed the city all
day on foot, and took home a few pages of musings and several rolls of film ready for processing. A couple of visits later,
he met a 97-year-old woman at an elderly housing complex, and wound up interviewing her for two hours. Thrilled with the results,
Manning impulsively walked into the local newspaper office and announced that he was going to write a book about the city
and donate some of the proceeds to the public library.
A year later at that same library, over 300 people showed up
to buy a signed copy of the self-published Steeples: Sketches of North Adams, a collection of oral histories, photographs,
essays and poetry. Manning has since donated over $5,000 to the library from sales of his books.
Shortly after, he was invited to be the keynote speaker at the
North Adams Historical Society’s annual meeting. In his speech, Manning suggested that the public schools encourage
students to conduct oral histories of their elderly relatives as a way of teaching local history, and improving verbal and
social skills. When no one answered the call, Manning created a program and took it to Deborah Bullett, a seventh-grade social
studies teacher, who agreed to implement it. Then he obtained a sizeable grant to fund it. In 2006, Manning began the ninth
year of this project with the same teacher. In addition, he has given dozens of walking tours of North Adams for area schoolchildren.
By the spring of 1998, Manning was already working on
a new and more ambitious book about the city, a book that would begin with a failed urban renewal program in the 1970s, and
end with the opening of Mass MoCA in the spring of 1999. In addition, he published two more editions of Steeples, which
was already being used as a textbook at Williams College and Massachusetts College of Liberal Arts.
Meanwhile, he was making many friends and hanging out at least
one morning a week with the old-timers at the Bean. His frequent visits (over 150 by this time) were depleting his vacation
time at work, and he was thinking about an early retirement. Three of the persons he had interviewed for Steeples became
among his most treasured friends: Audrey Witter, the young owner of the Bean, 99-year-old Julia White, and 85-year-old Tony
Talarico.
Tony was a recent widower who found comfort and companionship
at the Bean. A great storyteller, he had been the subject of one of Manning’s most popular interviews in Steeples.
Tony even had his own Web site, which included many of his essays about growing up in the city. Manning and Talarico corresponded
by e-mail almost every day. Later, for his second book, Manning would include dozens of Tony’s poignant and often humorous
comments, scattering them throughout the book. Talarico passed away a month after the book was published.
Manning’s involvement in the community grew by leaps and
bounds. He volunteered for events sponsored by the Northern Berkshire Community Coalition, a social action group. In November
1998, he helped plan and run their annual Neighborhood EXPO, an interactive celebration of community. He’s done it every
year since. In January 1999, he was asked to write a monthly column about the city for a new community Web site. In September
2001, the column began appearing also in The Advocate Weekly, a local newspaper.
In April 1999, Manning and his wife sold their house and moved
to Florence (Northampton), Massachusetts, where one of their daughters had attended Smith College. Several months later,
Manning retired to devote all of his time to his writing career. Only an hour from North Adams, his visits increased to two
or three times a week. In May 2001, he published Disappearing Into North Adams, a book that has received much acclaim.
Manning was the subject of a full-length article in the October
2001 issue of Yankee Magazine, and he has been featured twice on New England Cable News. In the summer of 2001, North
Adams Mayor John Barrett III awarded him the key to the city. And in June 2002, the Northern Berkshire Community Coalition
honored him as Northern Berkshire Hero.
In the fall of 2002, the North Adams Museum of History and Science
hired Manning to take more than 50 photographs from the exact locations where a collection of historical photographs of North
Adams were once taken, some as far back as 1890. The Then and Now exhibit opened in January 2003. Since his first visit
in 1996, Manning has taken thousands of photographs of the city.
In December 2001, MASS MoCA invited Manning to moderate a discussion
about the issues covered in Disappearing Into North Adams at the museum’s theater. The presentation played to
a full house. In June of 2002, a multi-media show at the museum called The Dream Life of Bricks, produced by famed
New York choreographer Martha Bowers, included a dramatization of an interview that appeared in Steeples. And in 2003,
Manning’s photos of North Adams appeared on the Web site of Independent Lens, a series on PBS that broadcast Downside
UP, Nancy Kelly’s highly regarded documentary about the effects of Mass MoCA on the city.
Since the museum opened, it has averaged 100,000 visitors a
year, and has sparked an economic and spiritual rebirth in North Adams. And Manning still makes his frequent visits to
the city, as he continues to follow this inspiring and ever-surprising story.